• Installation view of “Mnemoscape,” 2021. Photo by Kei Okano.
  • Installation view of “Mnemoscape,” 2021. Photo by Kei Okano.
  • Installation view of “Mnemoscape,” 2021. Photo by Kei Okano.
  • Installation view of “Mnemoscape,” 2021. Photo by Kei Okano.
  • Installation view of “Mnemoscape,” 2021. Photo by Kei Okano.
  • Installation view of “Mnemoscape.” Photo: Kei Okano, 2021.
  • Installation view of “Mnemoscape,” 2021. Photo by Kei Okano.
  • Installation view of “Mnemoscape,” 2021. Photo by Kei Okano.
  • Installation view of “Mnemoscape,” 2021. Photo by Kei Okano.
  • Installation view of “Mnemoscape,” 2021. Photo by Kei Okano.
  • Installation view of “Mnemoscape,” 2021. Photo by Kei Okano.
  • Installation view of “Mnemoscape,” 2021. Photo by Kei Okano.
  • Installation view of “Mnemoscape,” 2021. Photo by Kei Okano.
  • Installation view of “Mnemoscape,” 2021. Photo by Kei Okano.
  • Installation view of “Mnemoscape,” 2021. Photo by Kei Okano.
  • Installation view of “Mnemoscape,” 2021. Photo by Kei Okano.
  • Installation view of “Mnemoscape,” 2021. Photo by Kei Okano.
  • Installation view of “Shinro Ohtake,” at the National Museum of Modern Art, Tokyo, 2022. Photo by Keizo Kioku.

Information

Mnemoscape, 2019–2022

Made with thick accretions of oil paint mixed with marble powder, sand, gravel, and other materials, and incorporating three-dimensional structures, Ohtake’s newest series “Mnemoscape” is driven by a search for what Ohtake refers to as “the scenes that remain at the end of memory.” Changing appearance according to the surrounding light and the viewer’s perspective, the works shift between flat painting, receding vitrine, and projecting architectural model. They identify the point where the limits of preservation prompt creative invention.

Exhibition History

2022

“Shinro Ohtake,” The National Museum of Modern Art, Tokyo; The Museum of Art, Ehime; Toyama Prefectural Museum of Art and Design

2021

“Mnemoscape,” Take Ninagawa, Tokyo